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Introduction to Veneer
Introduction to the Art of
Veneering
The art of veneering, and it truly is an art, if properly done, dates
back to around 1500 B.C.! Veneered items have been removed from Egyptian tombs of the Pharaohs, and are still
intact!
Veneered furniture has suffered a reputation of inferior furniture, due in large part to furniture
manufacturers, who chose to exploit the opportunity to hide poor workmanship under the veneer. This practice
started in the late 1800's and continues to this day. With the modern machinery now being used the problem has been
reduced, although new finishing techniques are permitting cheaper grades of veneers to be used. It is typically
dyed to look acceptable. Notice I didn't say good.
The truth is some of the very finest furniture of all time has been built using veneers, and would
not have been possible using hardwoods!While this might sound far fetched, it is true. The reason for this is
veneers can be applied to substrates, or cores, that are very
stable, and will not crack, or warp, due to humidity changes. Expansion and contraction is not an issue, using
these substrates. Provided you veneer both sides of the substrate. In most cases, veneering only one side will
cause the panel to warp.
Some of the advantages to using veneers is the fact that the finest logs are sent to veneer
factories, to gain the most profit from the log. This is a wonderful practice, in that the yield, or usable lumber
will go much further cut into "sheets" generally ranging from 1/28" - 1/40" in thickness. Compare that to cutting
it into 1" thick pieces, and it becomes apparent that it is a better solution.
These "sheets" are kept in the order they are sawn from the log, and are called flitches. The
differences from one sheet to the next is minimal and is why matching patterns are possible. It is important, when
purchasing veneers, to number the sheets in the order they are stacked from the supplier, as they have been kept in
order through the entire process of cutting them from the log.
Also, the ability to create patterns that are absolutely incredible, are just not possible with
solid lumber. We would be hard pressed to build something using stumps, but for a veneer, it is not a problem, and
will produce furniture that is museum quality. Or working with a burl, or growth. much like a wart on the tree,
would be pretty much out of the question. But in veneer form, again, it is no problem, and the patterns found can
be spectacular.
| Titebond Cold Press for Veneer |
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Titebond Cold Press for Veneer is a high-quality,
economical alternative to contact cement for large-scale bonding of veneers to flat
surfaces.
Titebond Cold Press for Veneer
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